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Front Cover
Back Cover
City of Lyrics: Ordinary Poets and Islamicate Popular Culture in Early Modern Delhi
Author:
Nathan L. M. Tabor
ISBN:
9789395474535
Binding:
Hardcover
Year:
2026
Pages:
354 with 4 halftones, 1 map, and 2 tables
Size:
16 x 24 x 3 cm
Weight:
693 grams
Price:
INR
2295
2066.00
eBook available at:
Amazon.in:
https://tinyurl.com/4sfmtwbf
Google Books:
https://tinyurl.com/568f9cfh
Kobo:
https://tinyurl.com/4a9976xs
About the Book
Chronicling the origins of a global poetry phenomenon.
For centuries, Urdu-speaking poets and their audiences have gathered for mushāʿirahs, literary competitions for spoken-word verse. Today the mushāʿirah is a global phenomenon, as audiences in the millions convene in person and online for hours of poetic performance. Tracing these modern gatherings back to their origins, Nathan L. M. Tabor introduces readers to the popular emergence of the mushāʿirah in eighteenth-century Delhi. Scores of poets composed two-line lyric poems, called ġhazals, that they muttered, sang, shouted, and spat out in contentious salon spaces across India’s largest metropolis. Delhi’s mushāʿirahs circulated lyrics, satires, and songs for both common and elite poets, who traded and assessed words as an urban commodity that defined hierarchy, taste, and notions of delight.Via poets’ verse exchanges and their histories of Delhi’s literary scene,
City of Lyrics
reconstructs the social networks the mushāʿirahs produced. By understanding the roots of this uniquely Islamic literary practice, readers will gain insight into global popular culture today, which increasingly takes shape according to the tastes and values of the Muslim world yet is enjoyed by wide audiences of Muslims and non-Muslims alike.
About the Author
Nathan L. M. Tabor
Nathan L. M. Tabor is assistant professor of history at Western Michigan University.
Editorial Reviews
“There’s a party going on between these book covers, teeming with distinguished, cheeky, and ribald poets. This age of Persian/Urdu poetic history has never been narrated with such clarity and liveliness.”
—Pasha M. Khan, chair in Urdu language and culture at McGill University
“This lively book captures the emotional vigor of Urdu poetry and offers a very persuasive argument about the breadth of literary networks across the Persianate world.”
—Purnima Dhavan, University of Washington
“This magnificent tell-all of Delhi’s tumultuous poetry scene presents the best picture yet of how literature shaped everyday life in late Mughal India, all while leaving readers crying with laughter.”
—Daniel Majchrowicz, Northwestern University
“
City of Lyrics
traces the history of Urdu mushāʿirahs in eighteenth-century Delhi. It effectively demonstrates—through careful reading of surviving texts and keen attention to the role of performance—the emotive power of spoken (and heard) poetry during this period and the political and cultural authority it wielded and continues to wield in the region.”
—Isabel Huacuja Alonso, author of
Radio for the Millions: Hindi-Urdu Broadcasting Across
“This book unlocks the secrets of Delhi, one of the world’s most beautiful and enigmatic cities. Through the magical key of poetry gatherings (mushāʿirahs), Nathan Tabor reveals the city’s hidden splendors and illustrious treasures.”
—Afsar Mohammad, author of
Remaking History: 1948 Police Action and the Muslims of Hyderabad
“This brilliant book presents an exciting new way of writing the history of Urdu literature, foregrounding its social aspects. Nathan Tabor insightfully links early modern Delhi with the vibrant contemporary mushāʿirah scene, making the book a must for the many lovers of Rekhta/Urdu poetry throughout the world.”
—Heidi Pauwels, University of Washington
“In spite of communal tensions, the Hindi-Urdu language divide, and literary elitism, mushāʿirah culture has, for centuries, cultivated a public space where all are welcome to appreciate the Urdu ghazal.
City of Lyrics
offers a well documented and perceptive history of the mushāʿirah.”
—Timsal Masud, Columbia University
Customer Reviews
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