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Front Cover

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Failed Masculinities: The Men in Satyajit Ray’s Films

Author:Devapriya Sanyal
ISBN:9789395474405
Binding:Hardcover
Year:2026
Pages:184 with 21 b/w illustrations
Size:16 x 24 x 2 cm
Weight:451 grams
Price:INR13951256.00
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About the Book
The first comprehensive study of men and masculinity in the cinema of Satyajit Ray.

• Links Ray’s male characters with India’s national trajectory in its early post-independence years.
• Interrogates the director’s standing as a national filmmaker.
• Situates Ray within post-colonial filmmaking and realist cinema traditions.

Satyajit Ray belonged to a category of filmmakers and artists from newly independent countries whose work was used to define ‘national culture’.

Failed Masculinities: The Men in Satyajit Ray’s Films argues that a study of his films will give us a purchase on the moral trajectory of India in its first few decades of independence, particularly through examination of his male characters and their narratives. Films discussed by Sanyal include the Apu Trilogy, Shakha Prasakha, Ghare Baire and Kapurush.

About the Author
Devapriya Sanyal

Devapriya Sanyal is Assistant Professor of English at St Joseph’s University, Bangalore. She has degrees in Literature and Cinema from Lady Brabourne College, Calcutta and Jawaharlal Nehru University, New Delhi. She is the author of Salman Khan: The Man, The Actor, The Legend (2022).
Editorial Reviews



“The book is good to think with.... The historical reality is often more complex than our scholarly categorizations allow for, and Making a Mantra makes an excellent case for critically engaging with them anew, by bringing the ascetic perspective into the heart of tantric studies and granting Jainism a place in it.”
Indo-Iranian Journal
“Her use of both textual and anthropological methodologies that connect the past and present is a welcome reprieve from the text-heavy focus of so many projects on tantra.... Gough makes a strong argument for studying the past and present together without making the mistake of assuming what happens today is what has always occurred.”
Material Religion
“[Gough] works to reorient decades of scholarship on Jainism that has intentionally painted the tradition as persistent and consistent over time. Instead, Gough both recognizes and prioritizes the dynamic, changing nature of Jainism from its inception to the current day, specifically with regard to one facet of broader Indian religiosity, namely, tantra.... An impressive, detailed, and forward-thinking piece of scholarship. It will become required reading for scholars of both Jainism and tantra, and rightly so.”
History of Religions
“Drawing on a rich knowledge of Jain canonical texts and ethnographic work, this work is a brilliant contribution to situate Jainism in the field of Tantric Studies. It is highly recommended for scholars of both Jainism and Tantra.”
Religious Studies Review
“In this pioneering study, Gough traces the long biography of a key Jain mantra from ancient times up to the present. By showing how medieval Jains came to ‘tantricize’ the mantra, she makes important contributions to the study of Tantra, Jainism, and, more broadly, our understanding of the history of religion in India. This is a work of wide and confident scholarship, conveyed in an accessible and compelling manner.”
—Richard Davis, Bard College
“In Making a Mantra, Gough combines fine-grained textual study with ethnographic fieldwork to persuasively demonstrate that a full and adequate understanding of Jain ritual and doctrine must take serious account of the role of mantras and mandalas throughout the tradition. This book marks a watershed moment in the study of both Tantra and Jainism—it is required reading for all students of Indian religions.”
—John E. Cort, Denison University
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